Hans Wegner's "Bukkestolen" #11: Seat Frame Shaping and Glue-up

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This is part 11 in a 12 part series: Hans Wegner's "Bukkestolen"

Because my seat frame components are probably not quite as thick as those in the original, I compensated by making mine slightly wider an limiting the edge round-overs to 1/4" radius.  That radius will be fine for the Danish cord that will wrap the frame and preserves the strength that would be lost with a greater radius edge.
All parts received a round-over on all edges, avoiding those areas on the main stretchers where the secondary stretchers join.


The ends of the main stretcher were trimmed back to allow for a slight reveal where they meet the legs.



I'll complete the final shaping of the frame after the secondary stretchers are glued in place.


Before glue-up,  I used a card scraper to remove all of the pencil layout lines.


Strap clamps were enough to pull the joints together for the glue-up.


I dry-fit the frame into the arm/leg assemblies to let the glue dry with the frame in-situ.  (You can see in this photo the finger joints have been pared back flush.

11 Comments

I've removed pencil markings before a glue up and got parts mixed up 😖

Gotta say you are batting 1000! Fit and shape are excellent 👍
yeah the progress is great ross.

working with my hands is a joy,it gives me a sense of fulfillment,somthing so many seek and so few find.-SAM MALOOF.

Thanks, guys.   Splint - I was careful to keep grouped parts in different areas of the shop to prevent mixing them up.  I did still leave some marks to indicate which assemblies go together for a particular chair.   Belt and suspenders.
With the glue dried on the seat frames, I took them back to the bench to blend-in the ends of the stretchers with a round file, card scraper, and some sandpaper.
nice job shaping that ross. 

working with my hands is a joy,it gives me a sense of fulfillment,somthing so many seek and so few find.-SAM MALOOF.

It's those type of details that can really show something is crafted versus being production!
Really nice work, can't wait to see the final result.

Doesn't it often make you wonder just how they did all this in a production shop? I assume they had custom made jigs for every step of the process. And even with that, the glue-up would probably be the biggest challenge.
Thanks, gents.  There's a short video of the Carl Hansen shop making the CH25.  There's an amazing amount of shaping done by hand.  I love the weaving jig they use.